Tag Archives: old dominion univerity mfa creative writing program

Belligerent Q&A, Vol. III: Travis A. Everett of Tunnel Traffic


 

 

Travis A. Everett, who is from Texas, wears a hat with not one but two Ts on it in this photo. He is the founder of Tunnel Traffic, an occasional reading series. Texans seem to like a certain kind of alliteration. Photo by John-Henry Doucette.

Tunnel Traffic is an open-mike reading series that generally is held at Borjo Coffeehouse near Old Dominion University in Norfolk, Va.

The series was developed by Travis A. Everett in coordination with the MFA Creative Writing Program at Old Dominion University. One of its sponsors is Barely South Review, the program’s online literary magazine. By way of full disclosure, I’m a student in the MFA program and was one of the fiction readers for the review this past year.

I recently traded emails with Everett, since the next reading is coming up on Wednesday, April 13. The topical reading series is meant inspire new work and provide reading experience for students, according to the webpage. Writers write to prompts announced before each reading. The vibe is meant to be low-pressure and casual.

In addition to his studies at ODU, Everett is a poet and the founding editor of escarp, a text message-based review of “super brief literature.”

This Belligerent Q&A is about Tunnel Traffic. In case you missed the photo cutline above, let me mention that Everett is from Texas. I wonder if that will come up.

Q: Just who do you think you are? Please use three examples in your response.

  1. An accident waiting to happen
  2. A typography/design geek
  3. A weekend programmer

Q: It seems to be an interesting choice to name something Tunnel Traffic and expect people from Hampton Roads to want to experience it. Please describe your marketing plan in a limerick, haiku, or rhyming couplets.

I come from West Texas
where sky is the coolest thing
you can drive under

Q: The bling, the flashy cars, the reality shows – hasn’t the public had enough of the ostentatious lifestyles of the creative writing community and its twisted, insatiable passion for the subversive forms of fiction, poetry and narrative nonfiction?

Well, I think that’s actually one of the problems contemporary literature faces. So the equivalent of a Benz and a bottle of Cristal is a stuffy reading voice or a highly referential style that both resist non-writers — and the reality-show analog is writing about a writerly life like it’ll matter to anyone who isn’t a writer. There’s room for that, of course, but I also think it’s a really self-fulfilling prophecy to bemoan the lack of readership for very writerly books of poetry and prose. So in that sense, yeah — I think the public has had its fill of a specific kind of writerly lifestyle.

Q: Your readings are “topical” – please explain. Does that mean topical like a Jay Leno monologue, or topical in a way that prolongs one’s will to live?

Or topical like anti-itch cream? So you can listen to one late night monologue and hear a joke about, let’s say, a runaway Toyota, and you might laugh. But a single joke doesn’t show how far the content can stretch. Let’s say it’s topical like a roast, or a slam-dunk contest: shedding the usual rules of the dance give it a relaxed, fun, informal atmosphere with an undercurrent of both inter- and intra-personal competition.

In some sense it doesn’t matter, on The Tonight Show, if Jay has the best Toyota joke or not (as long as his joke is at least funny) because he’s not in a topical context. But if you take a number of late-night hosts and other comedians and let them know you’re having a runaway-Toyota-joke-night, they’re each going to be looking for an angle no one else will take and as a result they’ll cover a lot more territory, territory they probably wouldn’t have opened up as individuals outside of that context.

Q. We’ve covered so much ground here. What else would you like to say?

If you commit to coming, a topical prompt will help you write something you probably wouldn’t have written otherwise. Seeing how other writers approach the same task can help expand your sense of what words can do. It’s a low-pressure way to get reading experience.

The next Tunnel Traffic reading is scheduled from 8 to 9:30 p.m., Wednesday, April 13, at Borjo at W. 45th St. and Monarch Way. The topics are Easter eggs and/or gunpowder. Members of the public are welcome to come out either to listen or to read.

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Poetry that recognizes the struggle against sexual assault


Breaking the Silence, Speaking for Peace, a poetry reading to raise awareness of the struggle against sexual assault, will be held Monday, April 11, at Old Dominion University in Norfolk, Va.

The reading features several ODU poets, including Luisa Igloria and Tim Seibles. They will read poems that speak to survivorship, peacemaking, healing from trauma, or the struggle against sexual assault.

The event is sponsored by the MFA Creative Writing Program at ODU and the ODU Women’s Center. The reading is from noon-1:30 p.m, Monday, April 11, in the James Lynnhaven Room, Webb Center, Norfolk. Admission is free.

By way of full disclosure, I’m an MFA student at ODU.

Igloria, director of the MFA program, said via email that she had been looking for an event to commemorate National Poetry Month. Wendi White, graduate assistant with the Women’s Center, approached Igloria about holding a joint project.

White works with the center’s Sexual Assault Free Environment, or SAFE, an educational program on sexual violence and relationship issues. She’s in her first year with the MFA poetry program.

White, via email, said the poetry event will help raise awareness about sexual violence and help people prevent it – with attention, of course, also paid to the issue of sexual assault on college campuses. Regarding the connection between poet and audience, White added:

This is a very powerful transaction that can transform how the reader sees the world, and therefore, the world itself. … (P)oetry can create empathy for survivors and lift up the possibility of peace in a way that moves people to action.

Serving the Old Dominion University community since 1976, the Women’s Center is the oldest center of its kind on a Virginia college campus. Our programs and services address the special challenges and opportunities women students encounter as they pursue their academic goals. Also, recognizing the critical role that both women and men play in creating a world that is free of gender bias, our goals include promoting healthy relationships and a safe and equitable environment that is free of barriers to all persons.

Said Igloria:

When folks hear of either one – poetry, or women’s/gender issues – I think that it may still very well be the general perception that these are ‘fringe’ types of topics but that couldn’t be farther from the truth. …

This reading event is open to the university, as well as to the general public. Folks can participate by being part of the audience and coming to hear great poetry read, or by reading one or two short poems. It can be either their own original works or by another poet, as long as the poems selected address the general topics of violence against women or our struggles in general to create peace in our world.

It may seem like this is a broad umbrella, but I think this makes it possible for different voices to participate in the activity.

Featured readers include Til Cox, Tyrice Dean, Travis Everett, Jennifer Graham, Igloria, Renee Olander, Noah Renn, Seibles, Marion Charlene Thomas, Cesca Janece Waterfield, and White.

For more information or to participate, reach White via wewhite@odu.edu or (757) 683-4160. Members of the public who want to read must contact White before Wednesday, April 6, to sign up.

Igloria wrote that she’s still determining what she’ll read.

Thinking about and preparing for it makes me think of how very central and very important language is in shaping the realities of our lives, globally as well as where we are; and I think poetry has this capacity for making us aware of the effects of language, and for speaking very intimately to us as well as addressing concerns that are universal.

When I listen to (or read) a poem, I feel very much in the presence of a very human experience; poetry makes me feel like a witness to human events that are important and real, no matter how ‘small’ they may be. Perhaps that’s why I recently ranted (a bit) about the way National Poetry Month is being ‘celebrated’ in some popular venues.

A link to that post at Igloria’s blog can be found here.

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